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120 Red Skies (Nhoah Ohweh Remix) (24bit)

from 120 Red Skies EP by NHOAH

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From upcoming album ”West-Berlin”
Berlin-based electronic artist ​NHOAH shares latest remix EP, ​‘120 Red Skies zu Remixen’ on 23rd February via ​R.O.T respectolerate Records​, featuring remixes by ​Pixelord​, ​Mieko Suzuki and ​Peter Zirbs​, as well another version of the original recorded in French. This follows the success of ​‘​Abstellgleis zu Remixen’ containing breathtaking remixes by ​UK acid-house architects ​808 State and London-based IDM ​pioneer ​μ-Ziq​, ​NHOAH shows no sign of slowing down. ​“Abstellgleis zu

Remixen” has since received support from respectable publications such as ​Resident Advisor, PopMatters, BBC Radio 6 Music’s Nemone ​as well as being included in ​The Quietus’ ​Albums Of The Month​.
Alexey Devyanin aka ​Pixelord ​is a cyber-futurism experimental electronic artist currently based in ​Russia​. Among integrating an array of different genres and emotions into his music such as Future Bass, Grime, Footwork and Garage, ​Pixelord has garnered over 1.5 million ​plays between ​Soundcloud and YouTube​, and has received substantial support from tastemaker publications such as ​Vice’s THUMP​, ​Mixmag​, ​Pitchfork​, ​Clash Mag​, ​Exclaim!​, ​XLR8R​, ​NestHQ and ​Data Transmission​. Influenced by like-minded artists, ​Aphex Twin​, ​The Tuss​, ​Mike Slott​, and ​Faulty DL​, ​Pixelord also holds an award for ​Best Electronic Music Project in Moscow 2015​, awarded by ​16 Tonns club​, and has been making waves across his hometown by performing at the first ever ​Boiler Room ​session hosted in ​Russia​.
Berlin-based ​Mieko Suzuki ​is a Japanese DJ, producer and sound artist. Her experimental DJ sets weave together elements of deep-house or tech-house, atmospheric textures and compressed beats to encapsulate her heavily-processed, effect-drenched material in real time. Utilizing feedback loops, field recordings, and many other sounds during live sets. ​Mieko has also received support from ​Vice’s ​music channel ​Noisey​ on her music and performance pieces.
Multi-instrumentalist and electronic producer Peter Zirbs ​has been an important part of ​the Viennese rave and techno scene since the ‘90s; releasing music under various pseudonyms, composing scores to a range of experimental films, as well as producing and remixing for various artists, including his internationally-acclaimed experimental remix for the British avant-garde composer ​Christopher James Chaplin​.
NHOAH, a skilled producer, engineer and drummer in his own right, boasts a back catalogue which includes work alongside the producers of ​The Eurythmics​, ​Depeche Mode, and ​Bronski Beat​’s ​Larry Steinbachek​. His previous album ​Tangowerk was nominated for the ​German Record Critics' Award ​Preis der deutschen Schallplattenkritik​. His extensive list of achievements includes work with ​Jayne County ​and ​Romy Haag​, arranging and composing for ​David Hasselhoff, ​as well as contributing to material by contemporary ​French rock-star M​. His own band ​Peacock Palace​, whose song ​‘Like A Snake’ sold more than ​2 million copies, ​was the first German band to have their video on heavy rotation on MTV London​. Alongside this, his work writing and producing for German pop-rock band ​MIA​, earned him several ​Gold​ ​awards​.
In ​NHOAH’s original mix of ​‘​120 Red Skies’​, ​Berlin’s resonance is seemingly echoic. The track, lifted from ​NHOAH’s dazzling upcoming LP ​West-Berlin​, reverberates juxtaposed ideas within the album, both experimental in places yet mechanical in others. ​Pixelord’s ​remix of ​‘120 Red Skies’ ​is an atmospheric escape from bustling cityscapes and winter’s numbing clasp; complete with concrete percussion, a brilliant aura of kaleidoscopic synthesizer bliss, and distanced, yet lingering vocal samples producing a hypnotic, undulating effect. ​NHOAH’s ​own Ohweh ​remix is an club-ready response to the original track’s complex nature, almost double in length, this version features wispy electronics, cascading arpeggios and vibrant beats. ​Peter Zirbs takes it to another level - this energy-fueled remix is sure to move bodies - it’s backed with energetic beats and immersive drive. The experimental take on the original produced by ​Mieko Suzuki is a pulsating, lucid dream; swelling synths and pounding bass drums sit atop blistering ambience and thrilling soundscapes. Also included in this package is French version of ‘​120 Red Skies​’.
Pixelord says about his input on ‘120 Red Skies’​, ​“​When remixing a track that I like it’s really challenging not to make it worse, but make it 'pixelorded', like a different vision on the same idea and mood. This time I think i got the right thing with this remix, I found exactly what I wanted, it’s like a part 2 or some sort of the tune story goes on in a different genre. Anyway, I like it’s lyrical vocals and I hope people will get some chills listening to both remix and original”.

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from 120 Red Skies EP, track released February 23, 2018

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NHOAH Berlin, Germany

Berlin and Vienna based producer, composer and Dj

At the core of NHOAH’s creative inspiration is the physical manifestation of music: dancing. As a result you can almost feel that same energy being transmitted by his productions, especially when experienced through a powerful soundsystem. So, dust off those dancing shoes, relax your body and mind, and surrender to total self-­expression. ... more

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